Sunday, May 17, 2015

Week 7 Neurosci + Art

Week 7 Neurosci + Art

I am sure that a lot of you have heard of the expression “What You See May Not Be Real,” and this is especially true in the worlds of neuroscience and art. Mark Cohen in the lecture talks about various equipments and researches such as Stratton’s inverting glasses, these findings suggested that our brain is able to adapt to an altered visual world, this perceptual adaptation is fascinating and can be applied in how we perceive things in daily lives (Cohen).

https://www.youtube.com/watch?v=-kohUpQwZt8

Landau argues that several elements of art that we take for granted, can trick our brains into interpreting meaning from the arbitrary (Landau). Particularly, artists often manipulate the arrangement of lines, colors and different angles to play with our minds. For example, some artists will use luminance to give the illusion of 3-D image; others use shadows and lights to trick the eye into perceiving depth. Indeed, this can go back to what Cohen says about our brain is an organ that can be trained.

http://www.moma.org/explore/conservation/demoiselles/images/demoiselles_NewFINAL.jpg

Semir Zeki, a British neurobiologist who studies the visual brain and the neural correlates of affective states, believes that aesthetics must obey the rules of the brain and it is based on the understanding of the workings of the brain (Zeki 71). Zeki’s exhibit White on White: Beyond Malevich, purportedly trying to use works of art to understand the brain. His exhibit used white sculptures on a white wall, then they use a white light and the light of one color together to generate different shadows, the amazing thing is, the color of the shadows change as your angle of vision changes. Zeki wants to show how the brain reality can sometimes override the objective reality, he points out that not only the perception of colors is created by the brain, some of the objective realities that we think is real, are actually  determined by brain reality (Zeki).

http://i2.cdn.turner.com/cnnnext/dam/assets/120914022137-zeki-square-circle-horizontal-large-gallery.jpg

In one of his research, Zeki found that MRI images shows when people look at something they find beautiful, a portion in the front part of the brain, the medial orbito-frontal cortex will lights up, and when people see something that’s  ugly, a completely different part of the brain will light up (Lebwohl). Therefore, beauty is actually in the brain of the beholder.


http://en.es-static.us/upl/2011/07/frontal_cortex_300-e1311277403338.jpg

Indeed, human brain works in a very mysterious way that even scientists cannot fully comprehend what will happen if a brain reaches its fullest potential. But that is exactly why we can somehow understand impressionism and our neurons will be hyper-activated when we see all the distorted figures (Landau). Picasso once said, “We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand.” It is true that our perceptions of art works are influenced by our social and cultural values (Frazzeetto and Anker 815), but research after research shows that our brain can be trained to adapt to various situations, so what is real? What is the truth? What is the reality? The answer is inside our brain. 


Works Cited

Cohen, Mark. Neuroscience-Mark Cohen.mov. 2012. Film.

Frazzetto, Giovanni, and Suzanne Anker. "Neuroculture." Nature Reviews Neuroscience 10.11 (2009): 815-821.

Landau, Elizabeth. "What the Brain Draws From: Art and Neuroscience." Cable News Network, 15 Sept. 2012. Web. 18 May 2015.

Lebwohl, Beth. "Semir Zeki: Beauty Is in the Brain of the Beholder." Earthsky, 3 Feb. 2012. Web. 18 May 2015.

Zeki, Semir. "Art and the brain." Daedalus (1998): 71-103.

Zeki, Semir. "Centro per L'arte Contemporanea LUIGI PECCI - Prato." Web. 18 May 2015.



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